This is what my copy of Infinite Jest looks like at this point. I finished this book for a second time awhile back in August, but I left it out because I had dog-eared a few passages that I wanted to think some more about. My brother was asking me if he should read this book. I bought him copies of two of DFW's short story books for his birthday in August. I told him to start there, and if he decided from those books that he liked Wallace's style, THEN he should consider reading Infinite Jest. It is an undertaking, but well worth the time and effort - unlike Ulysses, which I still haven't gotten through or The Sound and the Fury, which I DID get through but felt no reward in doing so. Finishing this book reminded me why it was one of my top five favorites. It was better reading it the second time around. Another excerpt.
"White Flag is one of the area AA meetings Ennet House requires its residents to attend. You have to be seen at a designated AA or NA meeting every single night of the week or out you go, discharged. A House Staff member has to accompany the residents when the go to the designated meetings, so they can be officially seen there. The residents' House counselors suggest that they sit right up at the front of the hall where they can see the pores in the speaker's nose and try to Identify instead of Compare. Again, Identify means empathize. Identifying, unless you've got a stake in Comparing, isn't very hard to do, here. Because if you sit up front and listen hard, all the speakers' stories of decline and fall and surrender are basically alike, and like your own: fun with the Substance, then very gradually less fun, then significantly less fun because of like blackouts you suddenly come out of on the highway going 145 kph with companions you do not know, nights you awake from in unfamiliar bedding next to somebody who doesn't even resemble any known sort of mammal, three-day blackouts you come out of and have to buy a newspaper to even know what town you're in; yes gradually less and less actual fun but with some physical need for the Substance, now, instead of the former voluntary fun; then at some point suddenly just very little fun at all, combined with terrible daily hand-trembling need, then dread, anxiety, irrational phobias, dim siren-like memories of fun, trouble with assorted authorities, knee-buckling headaches, mild seizures, and the litany of what Boston AA calls Losses -
'Then come the day I lost my job to drinking.' Concord's John L. has a huge hanging gut and just no ass at all, the way some big older guy's asses seem to get sucked into their body and reappear out front as a gut. Gately, in sobriety, does nightly sit-ups out of fear this'll all of a sudden happen to him, as age thirty approaches. Gately is so huge no one sits behind him for several rows. John L. has the biggest bunch of keys Gately's ever seen. They're on one of those pull-outable-wire janitor's keychains that clips to a belt loop, and the speaker jangles them absently, unaware, his one tip of the hat to public nerves. He's also wearing gray janitor's pants. 'Lost my damn job,' he says. 'I mean to say I still knew where it was and whatnot. I just went in as usual one day and there was some other fellow doing it,' which gets another laugh.
- then more Losses, with the Substance seeming like the only consolation against the pain of the mounting Losses, and of course you're in Denial about it being the Substance that's causing the very Losses it's consoling you about. -
'Alcohol destroys slowly but thoroughly is what fellow said to me the first night I Come In, up in Concord, and that fellow ended up becoming my sponsor.'
- then less mild seizures, D.T.s during attempts to taper off too fast, introduction to subjective bugs and rodents, then one more binge and more formicative bugs; then eventually a terrible acknowledgment that some line has been undeniably crossed, and fist-at-the-sky, as-God-is-my-witness vows to buckle down and lick this thing for good, to quite for all time, then maybe a few white-knuckled days of initial success, then a slip, then more pledges, clock-watching, baroque self-regulations, repeated slips back into the Substance's relief after like two days' abstinence, ghastly hangovers, head-flattening guilt and self-disgust, superstructures of additional self-regulations (e.g. not before 0900h. not on a worknight, only wen the moon is waxing, only in the company of Swedes) which also fail -
'When I was drunk I wanted to get sober and when I was sober I wanted to get drunk,' John L. says; 'I lived that way for years, and I submit to you that's not livin, that's a fuckin death-in-life.'
- then unbelievably psychic pain, a kind of peritonitis of the soul, psychic agony, fear of impending insanity (why can't I quit if I so want to quit, unless I'm insane?), appearances at hospital detoxes and rehabs, domestic strife, financial free-fall, eventual domestic Losses -
'And then I lost my wife to drinking. I mean I still knew where she was and whatnot. I just went in one day and there was some other fellow doing it,' and which there's not all that much laughter, lots of pained nods: it's often the same all over, in terms of domestic Losses.
- then vocational ultimatums, unemployability, financial ruin, pancreatitis, overwhelming guilt, bloody vomiting, cirrhotic neuralgia, incontinence, neuropathy, nephritis, black depressions, searing pain, with the Substance affording increasingly brief periods of relief; then, finally, no relief available anywhere at all; finally it's impossible to get high enough to freeze what you feel like, being this way; and now you hate the Substance, hate it, but you still find yourself unable to stop doing it, the Substance, you find you finally want to stop more than anything on earth and it's not fun doing it anymore and you can't believe you ever liked doing it and but you still can't stop, it's like you're totally fucking bats, it's like there's two yous; and when you'd sell your own dear Mum to stop and still, you find, can't stop, then the last layer of jolly friendly mask comes off your old friend the Substance, it's midnight now and all masks come off, and you all of a sudden see the Substance as it really is, for the first time you see the Disease as it really is, really has been all this time, you look in the mirror at midnight and see what owns you, what's become what you are -
'A fuckin living death, I tell you it's not being near alive, by the end I was undead, not alive, and I tell you the idea of dyin was nothing compared to the idea of livin like that for another five or ten years and only then dyin,' with audience heads nodding in rows like a wind-swept meadow; boy can they ever Identify.
- and then you're in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, had finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it's the Face In The Floor, the grinning, root-white face of your worst nightmares, and the face is your own face in the mirror, now, it's you, the Substance has devoured or replaced and become you, and the puke-, drool- and Substance-crusted T-shirt you've oth worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) shoul dbe beating, in its exposed chest's center and centerless eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you've been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It's your enemy and your worst personal nightmare and the trouble It's gotten you into is undeniable and you still can't stop. Doing the Substance now is like attending Black Mass but you still can't stop even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around. You are at a fork in the road that Boston AA calls your Bottom, though the term is misleading, because everybody here agrees it's more like someplace very high and unsupported: you're on the edge of something tall and leaning way out forward...
Wallace, David Foster. Infinite Jest. 1996. Back Bay Books / Little Brown and Company. New York, NY 10017. pp. 345-347.
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